{"id":2164,"date":"2024-11-24T14:25:24","date_gmt":"2024-11-24T14:25:24","guid":{"rendered":"https:\/\/alexanderdik.com\/?p=2164"},"modified":"2024-11-24T14:39:19","modified_gmt":"2024-11-24T14:39:19","slug":"berlin-compositions","status":"publish","type":"post","link":"https:\/\/alexanderdik.com\/en\/berlin-compositions\/","title":{"rendered":"Solo Exhibition Jari Lager Gallery Korea &#8211; &#8220;Berlin Compositions&#8221;"},"content":{"rendered":"<div  class='flex_column av-10pka-b788403b89e9764288f8d79acc9240b7 av_three_fifth  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  first flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-llm7x25z-7a814ee13349ff8797cfe26d3c30c1b2\">\n.avia-image-container.av-llm7x25z-7a814ee13349ff8797cfe26d3c30c1b2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-llm7x25z-7a814ee13349ff8797cfe26d3c30c1b2 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-llm7x25z-7a814ee13349ff8797cfe26d3c30c1b2 av-styling-no-styling avia-align-center  avia-builder-el-1  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-515x1030.webp\" data-srcset=\"https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-515x1030.webp 515w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-150x300.webp 150w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-768x1536.webp 768w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-750x1500.webp 750w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-353x705.webp 353w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59.webp 800w\" data-sizes=\"(max-width: 515px) 100vw, 515px\" class='avia_image'  aria-label='Korea'><img decoding=\"async\" class='wp-image-2174 avia-img-lazy-loading-not-2174 avia_image ' src=\"https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59.webp\" alt='' title='Korea'  height=\"1600\" width=\"800\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59.webp 800w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-150x300.webp 150w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-515x1030.webp 515w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-768x1536.webp 768w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-750x1500.webp 750w, https:\/\/alexanderdik.com\/wp-content\/uploads\/WhatsApp-Bild-2024-11-24-um-12.12.55_9d3f1e59-353x705.webp 353w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/div><\/div><\/div><div  class='flex_column av-1agke-b16c8b74ed7dbf26fac0a5162a01259f av_two_fifth  avia-builder-el-2  el_after_av_three_fifth  avia-builder-el-last  flex_column_div  '     ><section  class='av_textblock_section av-llm7flla-4a692146896b658bdcc11993fc7c5da5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1>Exhibition &#8220;Berlin Compositions&#8221;<\/h1>\n<p>NOVEMBER 29 &#8211; DECEMBER 21, 2024<\/p>\n<p>1992, Marzahn, Berlin: Alexander Dik\u2019s family moves to Germany. They are \u2018Russlanddeutsche\u2019 migrants \u2013 a problematic German minority in their homeland, Kazakhstan. For Alexander, life has been a hard road since he was very young. Marzahn is far from a rosy neighbourhood \u2013\u00a0<i>the water tastes like blood<\/i>, as they say around there. Alexander desires only one thing, the one thing he always felt destined to do: painting. But the conservative environment he comes from forbids it. Instead, he becomes a retail salesman for a supermarket chain specialised in Eastern European food and practices taekwondo as an amateur athlete. He continues to paint in secret, finding solace in a clandestine, dark, almost claustrophobic studio in the supermarket\u2019s basement. In 2018, he makes a bold decision: he will be a full-time painter. The following year, at thirty-five, he enrols at the Berlin Academy of Arts, begins to breathe again, and becomes unstoppable. His professor, Andreas Amrhein, writes about him: \u2018During his studies, Alexander has achieved a lot, tried many things, discarded some, developed a strong artistic stance, and is now moving forward. None of his goals are too distant for him. With his innate energy, he will pursue them.\u2019<\/p>\n<p><i>Berlin Compositions<\/i>, Dik\u2019s debut solo show at JARILAGER Gallery Seoul, is a goal checked off. Featuring his recent body of work, from paintings and works of paper to sculpture, the exhibition marks a new chapter in the exceptional journey of this \u2018Berlin kid\u2019 in the arts. His works are bold and unfiltered, much like his city, filled with all its contradictions, its violence, and its wounded, uprooted, and feverish heroes.<\/p>\n<p>After years of suppressing his talent, Alexander Dik is now experiencing a working\u00a0<i>trance<\/i>. Each morning, he wakes up early and heads to his new studio: a spacious, airy shed in the heart of Brandenburg\u2019s countryside.\u00a0Unlike many artists, he does not suffer from the impasse of facing a blank canvas. For him, the challenge is how to contain the flood of ideas rushing out. He typically works on multiple series at once, often across several canvases simultaneously, both vertically and horizontally. He loves to place a canvas under his feet while he paints, allowing it to collect splashes of colour, the imprints of his steps, and even the ashes of his cigarettes. These \u2018floor paintings\u2019 unintentionally capture the full spectrum of the creative process, from the raw materiality of his movements to the residue of his artistic rituals. For Alexander, they hold equal value to those produced with deliberate intention.<\/p>\n<p>Above all, Alexander Dik is a craftsman. His art, at once neo-expressionist and symbolic, blends a profound mastery of oil paint \u2013 his \u2018true language,\u2019 as he calls it \u2013 with a relentless drive to experiment with different techniques. He works with brush, spatula, and spray, but his paintings often seem like they had been made by different\u00a0<i>hands<\/i>. Few artists work in such a wide range of approaches. At times, he flings paint onto the canvas in dribbled patterns, echoing the energy of Jackson Pollock. At other times, colours fold into mountainous formations, protruding from the surface like fleshy contours. There are moments in which he arranges paint blobs on the canvas, then sweeps them with a wide spatula \u2013 just like that, a single move and the work is complete. Yet there are also longer battles, where he stratifies layer over layer, only satisfied when colours magically suck the viewer into their depths. Excitement peaks when he presses one canvas against another, letting the imprint of an ongoing work guide the birth of something new \u2013 a process charged with physical intensity and unpredictability.<\/p>\n<p>Alexander is as wild with his canvases as he is with himself. The paintings chosen for\u00a0<i>Berlin Compositions<\/i>\u00a0deal in a very direct, pitiless way with grand themes linked to the personal and collective struggles of being German: origin, displacement, youth, wrath, but also politics, war, history, and art history. These themes, especially the aggressive, destructive beauty of their execution, provoke and unsettle, yet speak to the very soul. Georg Baselitz once said, \u2018If I had been born elsewhere, I would have certainly made happier pictures.\u2019 Alexander would fully agree with this sentiment. His connection to Baselitz is explicit, as seen in\u00a0<i>Alte Moderne<\/i>, a clear reference to one of Baselitz\u2019s most scandalous works:\u00a0<i>Die gro\u00dfe Nacht im Eimer<\/i>\u00a0(1963). Baselitz\u2019s painting, which caused a courtroom drama for its disturbing subject \u2013 a grotesque figure with an erect penis and a Hitleresque haircut \u2013 was even confiscated by the Berlin prosecutor. Dik, in his own way, embraces this legacy. As a man, he is a fighter, a risk-taker; his choice to be an artist remains scandalous to those who once opposed it. As a painter, he is a defier, a seeker \u2013 one who dares to look where others cannot or would rather not. He is, in every sense, an armed poet.<\/p>\n<p>\u2018At three years old, I painted cars with sixteen wheels; they laughed. At nine, I painted forbidden symbols; they punished me. At sixteen, I painted swamps; they said I was crazy. At twenty, I wanted to study art; they forbade it. At thirty-five, I began studying art; they said I was unwell. The fear of others took many years from me. Do not live with the fear of others. Live your dream now and without delay.\u2019 \u2013 Alexander Dik<\/p>\n<p class=\"cvGsUA direction-ltr align-start para-style-body\"><strong><span class=\"OYPEnA text-decoration-none text-strikethrough-none\">Vernissage<br \/>\n<\/span><\/strong><span class=\"--l sentence_highlight\">Friday, NOVEMBER 29, 2024 | 6:00 PM &#8211; 8:00 PM<br \/>\n<\/span><\/p>\n<p class=\"cvGsUA direction-ltr align-start para-style-body\"><strong>JARILAGER Gallery<br \/>\n<\/strong>12 Eonju-ro 165-gil<br \/>\nGangnam-gu<br \/>\nSeoul,\u00a0South Korea<\/p>\n<p>info (at) jarilagergallery.com<br \/>\nTel. + 82 (0)10 8191 5834<\/p>\n<p>Google Maps: <a href=\"https:\/\/maps.app.goo.gl\/p6Eu2Ddwrpkxsf369\" target=\"_blank\" rel=\"noopener\">Click here<\/a><\/p>\n<\/div><\/section><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jari Lager Gallery Korea presents Alexander Dik\u2019s solo exhibition *\u201cBerlin Compositions\u201d*, a powerful homage to the contradictions and raw energy of Berlin. Dik\u2019s works blend neo-expressionist intensity with symbolic depth, exploring themes such as identity, youth, and history. The exhibition reflects an uncompromising creative process that reveals traces of both destruction and renewal. *\u201cBerlin Compositions\u201d* invites viewers to uncover beauty within chaos and experience artistic expression as a manifestation of identity and resistance. Opening reception on November 29, 2024.<\/p>\n","protected":false},"author":2,"featured_media":2170,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-2164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Solo Exhibition Jari Lager Gallery Korea - &quot;Berlin Compositions&quot; - Alexander Dik<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alexanderdik.com\/en\/berlin-compositions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Solo Exhibition Jari Lager Gallery Korea - &quot;Berlin Compositions&quot; - Alexander Dik\" \/>\n<meta property=\"og:description\" content=\"Jari Lager Gallery Korea presents Alexander Dik\u2019s solo exhibition *\u201cBerlin Compositions\u201d*, a powerful homage to the contradictions and raw energy of Berlin. 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